23 € the class / 5 classes : 100 € / 8 classes : 150 € / 12 classes : 210 €
From Monday 17 to Saturday 22
10.30 am-12 am / 2 pm-3.30 pm / 4 pm-5.30 pm / 6 pm-7.30 pm
For dancers of any level (beginners or experienced dancers)
They are available by individual registration.
20 persons maximum
Technical Workshops leader & follower
Agustina Piaggio & Carlos Espinoza
C64 Leader Technique - Body dissociation: techniques
C65 Follower Technique - Walking: from centre to projection
Eva Laura Madar & David Alejandro Palo
C30 Leader Technique - Enrosques, ganchos and saltos: Inner strength and freedom of movement to enhance personal technique, aesthetics and precision through enrosques, ganchos and saltos.
C31 Follower Technique - Centering, character and radiance: strengthening alignment, stability and body awareness while developing elegance, fluidity and personal expression. To dance with boldness, presence and sensuality.
Mirella & Carlos Santos
C10 Leader Technique - Walking Technique and Footwork, connecting your movement to the music. Dissociation and the coordination for sacadas and enrosques.
C11 Follower Technique - Standing Leg versus Free Leg: the active role of the standing leg, versus the expressive role of the free leg. Understand the distinct job of each and how they work together. Strengthen your standing leg, clarify your free leg, and move with more control, balance, and intention.
Sofia Saborido & Dario Da Silva
C50 Leader Technique - Work on body alignment, with spirals and pivots
C51 Follower Technique - From anchorage to spiral: drivers of movement for pivots, ochos and boleos.
Gustavo Gomez
C37 Leader Technique - Ochos
Sylvana Núñez
C5 Follower Technique - Axis, posture and walk - Technical foundations for followers; alignment, personal axis and conscious walking.
C19 Follower Technique - Embellishments, lápices and planeos - Technical and creative work on embellishments, lápices and planeos. Axis control and use of pauses.
C44 Follower Technique - Turns and dynamics - Turning technique, axis control and fluidity. Cadence and movement dynamics.
C63 Follower Technique - Ganchos and boleos - Mechanics, technique and safety of ganchos and boleos. Energy management and rebound.
C72 Follower Technique - Rhythm, milonga and musicality - Tango and milonga rhythm. Specific milonga embellishments, rhythmic play and musical expression.
tango PILATES
New ! 4 classes of Tango Pilates by Silvana Núñez
Silvana Núñez is the creator of Tango Pilates, a training method designed to deepen body awareness and strengthen the specific muscles used in tango. The principles of Pilates are applied to the biomechanics and dynamics of tango, focusing on:
- The axis, walking, the spirals, dissociation, stability and musicality.
C12 Linear and circular movements applied to Tango Dance. Understanding axis, direction and movement organization from centre to limbs.
C25 Feet, ankles and adductors - Deep work on feet and ankles connected to the adductors. Alignment, support and weight transfer for walking and direction changes.
C40 Center, axis and spirals - Core activation, axis stability and dissociation. Body spirals as the main motor for turns and circular tango movements.
C57 Body and energy integration - Movement projection and connection with tango musicality.
TAI-CHI TANGO
· 4 classes of Tai chi –tango by France Chervoillot
- Roots and axis: the stability that sets us free
- Listening through touch: the silent dialogue
- Spiral movement: pivots, dissociation and fluidity
- Intention before form: presence and inner musicality
Each class can be chosen separately even if the classes with each instructor can be considered and followed as a whole.
C8 Workshop Tai chi-tango - Roots and axis: stability that sets you free.
Dancing from the ground: the more grounded you are, the lighter your dance becomes.
Exploring grounding, alignment and the concept of axis based on the principles of Taijiquan. Dancers refine their sense of weight, verticality and ground-body connection, which are essential for pivots and changes of direction in tango. Slow, guided exercises develop a lively stability that is never rigid. The aim is to feel that balance is not static, but fluid.
C15 Workshop Tai chi-tango - Listening through touching: silent dialogue.
Touching and listening: Before guiding or following, one must know how to listen.
Inspired by Tui Shou (pushing hands, or sticky hands), this workshop develops sensitivity to contact and reading your partner's intentions. We work on the quality of listening in the arms, back and centre, without anticipation or unnecessary tension. The exercises reveal how a subtle intention travels through the entire body. This nurtures a finer, more responsive and confident connection in the abrazo.
C34 Workshop Tai chi-tango - Spiral movement: pivots, dissociation and fluidity.
Spiral body: The body does not turn in blocks, it undulates in spirals.
Taijiquan uses spirals to generate gentle power and continuity, a treasure trove for echoes and pivots. We explore the dissociation between the upper and lower body, the role of the centre and the transmission of movement without interruption. Slow sequences allow us to feel how movement originates in the feet, transforms in the pelvis and is expressed in the torso. The result: greater fluidity, less effort.
C47 Workshop Tai chi-tango - Intention before form: presence and internal musicality.
The invisible aspect of movement: Movement begins before the visible gesture.
This workshop focuses on Yi (intention) and the quality of presence, which are keys in both Taijiquan and tango. Through very slow sequences, we refine our awareness of internal timing, transitions and micro-pauses. Dancers discover how a clear intention makes guidance more readable and following more sensitive. We dance less with "steps" and more with nuances.
"FROM BODY TO TANGO"
· 4 classes of "From body to tango" by Sylvie Dugachard
- Body awareness in movement to release tension
- Comfort, stability and expressiveness in the feet
- Loosening the pelvis to free up the legs and protect the back
- Relaxing the shoulders and neck for a comfortable abrazo
Each class can be chosen separately even if the classes with each instructor can be considered and followed as a whole.
C29 Workshop « From body, to tango » - Body awareness in motion to release tension
From head to toe, awaken your body awareness to better connect with your body, identify areas of tension and release them... Dance with a more relaxed body, better connected with your partner, listening and guiding calmly.
For beautiful tangos shared together!
C53 Workshop « From body, to tango » - Expressiveness of the feet: comfort and stability
Learn to understand your feet better, take care of them to protect them better and dance longer without fatigue. Awakening the sensation in your feet will allow you to connect better with the ground and find stable and precise support.
For active, creative and musical feet with a stronger axis from the feet to the head!
C60 Workshop « From body, to tango » - Loosening up the pelvis: freeing the legs, protecting the back
Exercises to free up the pelvis, the passage between the upper and lower body and the centre of movement, help to restore flexibility and comfort in the back, without pain, and freedom in the legs.
C69 Workshop « From body, to tango » - Comfort of the abrazo: relax your shoulders and neck
Understand how your shoulders work, as they are highly mobile but also subject to a lot of tension, and how they are connected to your arms and your connection. Relax this area for greater comfort when communicating with your partner and ease of guidance.
For beautiful journeys, take the time for a tenda!
> Download the English tango glossary
> Check the availability of the various classes
Available to download soon:
> The classes board 2026
> The programme table 2026