Classes without a partner

  • Dance Classes_tarbesentango2021

23 €  the class / 5 classes : 100 € / 8 classes : 150 € / 12 classes : 210 €

From Monday 18th to Saturday 23th 
10.30 am-12 am / 2 pm-3.30 pm / 4 pm-5.30 pm / 6 pm-7.30 pm

For dancers of any level (beginners or experienced dancers)
They are available by individual registration.

Technical Workshops MAN & WOMAN

Mariano Otero & Alejandra Heredia
C 3: Woman's technical -Technical exercises (axis, weight, balance)
C 4: Man's technical - Technical exercises (axis, weight, balance)

Bruno Tombari & Rocio Lequio
C13: Woman's technical - Ochos World’s – Explore this emblematic movement of tango with an unusual way. Let's oil our hips! Technique and combinations.
C 14:  Man's technical - Ochos World’s – Explore this emblematic movement of tango with an unusual way. Let's oil our hip! Technique and combinations.

Angel Coria & Yanina Fajar
C 31: Woman’s technical - Walk: foot projection and elegance in movement - Techniques for smooth and precise movement.
C 32: Man’s technical - Posture and axis – Work on a vertical, relaxed posture for a strong connection - Management of the personal axis for a clear guidance.

Diego Escobar & Francesca Vaccari
C 36:  Woman's technical - Techniques of dissociation and torsions
C 37: Man's technique - Techniques of dissociation and torsions

Angel Coria & Yanina Fajar
C 45:  Woman’s technical - Feminine ornaments - Variations of enrosques, ochos, boleos and planeos - How to integrate ornaments naturally into the dance.
C 46: Man's technique - Pivots and turns technique - Work softly on the pivots for turns with stability - Command of turns with counterweights and dynamic changes.

Octavio Fernández & Carolina Giannini
C 49: Woman’s technical - Turns technique
C 50: Man's technical - Turns technique

Carlos Espinoza & Agustina Piaggio
C 63: Woman’s technical - Work of the standing leg and the free leg
C 64: Man's technical - Work of the standing leg and the free leg

TAI-CHI TANGO WORKSHOP

6 Tai-chi Tango classes (for dances of  any level) by France Chervoillot

These classes can be followed as a whole, however each class can be chosen separately.

C 7: Abrazo - Physical and energetic contact - Refine the relationship with the partner for contact and guidance without tension in the arms.

C 23: Powered walk and proprioception - Conscious walk technique - Refine the understanding and execution for a walk where you no longer slouch.

C 26: The intention: be toned and relax! The essential role of intention in cultivating the 3 qualities: feeling, grounding, uniting.

C 44: Axis - Physics and energy – Good positioning of your spine, from heels to head, in a mechanical way, and all in sensations.

C 58: What I want to pass on to my partner - The right dichotomy between what I want to pass on and what actually happens -
Determine, verbalize what I want to pass on, physical and energetic qualities, emotions, sensations - Find the techniques, the methods that will help me move in this direction.

C 68: Play freeing yourself from technique - Play, have fun - How to free yourself from technical concerns to play - The fundamental role of the alternation of "conscious corrections" and "freedom without correction" in my practice.

"FROM BODY...TO TANGO" Workshop"

5 "From body... to Tango" classes (for dancers of aall levels) by Sylvie Dugachard

Each class begins with a body awakening specific for the theme followed by new exercises and explorations for the pleasure and a more sensory and creative dance.

These classes can be followed as a whole, however each class can be chosen separately.
Take a comfortable outfit, socks and your dance shoes.

C 10: Release your body - Free your mind - Listening to our body, our sensations, our feelings, in order to release the body and experience a quiet, fluid dance with confidence, whatever your dancing level.

C 17: Listening to yourself and your partner - Thanks to the quality of the abrazo, find comfort and good communication, to stay connected in the dance, to feel or better grasp the subtleties of guidance.

C 30: From head to toe, balance around the axis - By freeing the neck, the rib cage, the pelvis, feel within yourself a solid, stable axis, released from the tensions that interfere with the dance to play flexibly around your partner, whatever your role.

C 41: Find your centre in your dance - Inside, in depth, become aware of the different centres around which the whole body is organized. Feeling the density, the tone, the power coming from it, to use all these qualities in the dance.

C 62: For a breathed tango - Listen to your breathing, experience relaxation, be more present and give the movement all its fluidity for a dance that resonates like a bandoneon.​

 

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