SINGING workshop

Mon 14 from 10h00 to 17h00

Singing
With Agustín Luna, Ana Karina Rossi, Mirtha Alcaraz Dahani
See

INSTRUMENT worlshop: orchestra option

Mon 14 from 10h00 to 17h00

Instrument
With Pablo MURGIER
See

C 4: Technique - The Body Spiral - Operation of the torsion and pivots

Mon 14 from 14h00 to 15h30

Dance
With Maria Filali & Sigrid Van Tibeurgh
See

C 8: Find its natural verticality in the posture of tango

Mon 14 from 16h00 to 17h30

Others
With France Chervoillot
See

C 12: Sense of touch - Quality of contact

Tue 15 from 10h30 to 12h00

Others
With Sylvie Dugachard
See

Seminar

Tue 15 from 14h00 to 17h30

Dance
With Carlos Espinoza & Agustina Piaggio
See

C 19: Men’s technique - Comfort of the pivot - Body coordination to relax our body

Tue 15 from 16h00 to 17h30

Dance
With Leo Calvelli & Eugenia Usandivaras
See

C 23: Little ganchos to spice up your dance

Wed 16 from 10h30 to 12h00

Dance
With Andrés Sautel & Celeste Medina
See

C 27: Milonga – Cadence - Rhythm and Character

Wed 16 from 14h00 to 15h30

Dance
With Matteo Antonietti y Ravena Abdyli
See

C 31: Women’s technique - If you know how you can enjoy more

Wed 16 from 16h00 to 17h30

Dance
With Andrés Sautel & Celeste Medina
See

C 35: Sensoriality and sensuality of feet and hands in tango

Wed 16 from 18h00 to 19h30

Dance
With Maria Filali & Sigrid Van Tibeurgh
See

C 37: Analysis of dynamics in couple movement

Thu 17 from 10h30 to 12h00

Dance
With Matteo Antonietti y Ravena Abdyli
See

C 41: Sense of space to oneself and at the dance floor

Thu 17 from 14h00 to 15h30

Others
With Sylvie Dugachard
See

C 45: Movement - One breath

Thu 17 from 16h00 to 17h30

Others
With France Chervoillot
See

C 48: Waltz - Rebotes

Fri 18 from 10h30 to 12h00

Dance
With Claudio Hoffmann & Cinzia Lombardi
See

C 52: Embellishments of feet for both roles

Fri 18 from 14h00 to 15h30

Dance
With Maria Filali & Sigrid Van Tibeurgh
See

C 56: Walking on the closed side of abrazo

Fri 18 from 16h00 to 17h30

Dance
With Claudio Hoffmann & Cinzia Lombardi
See

C 60: Improvisation and creativity

Fri 18 from 18h00 to 19h30

Dance
With Santiago Giachello & Agostina Tarchini
See

C 63 : Turn - Accelerations using elastics & centrifugal force

Sat 19 from 10h30 to 12h00

Dance
With Carlos Espinoza & Agustina Piaggio
See

C 67: Milonga to have a good time

Sat 19 from 14h00 to 15h30

Dance
With Mariano Otero y Alejandra Heredia
See

C 71: Sacadas - Tips and our favorite combinations

Sat 19 from 16h00 to 17h30

Dance
With Andrés Sautel & Celeste Medina
See

SINGING workshop

INSTRUMENT Workshop: tango and folklore parilla style option

INSTRUMENT Workshop : bandoneon option

INSTRUMENT Workshop : guitar option

INSTRUMENT worlshop: orchestra option

C 1: Out of axis - Colgadas & volcadas 1

C 2 Dance the pause: if you know it, you recognize it C 2: Dance the pause - If you know it, you recognize it

C 3: Lapices and planeos - Time to play with the free leg

C 4: Technique - The Body Spiral - Operation of the torsion and pivots

C 5: Barridas for leaders and followers

C 6: Milonga Lisa - Rhythm

C 7: Turns - Rhythmic and melodic structures

C 8: Find its natural verticality in the posture of tango

C 09 : Boleos – Compact - Circular- Up -Down. Combinations

C 10: Bodily sensations

C 11: Enrosque technique for leaders and followers

C 12: Sense of touch - Quality of contact

C 13: Ocho cortado and its variants

C 14: To enrich the interpretation and the connection

C 15: Changing role - How to complement each other?

Seminar

C 16: Embellishments as a couple language

C 17: Out of axis - Colgadas & volcadas 2

C 18: Women’s technique - Comfort of the pivot - Body coordination to relax our body

C 19: Men’s technique - Comfort of the pivot - Body coordination to relax our body

C 20 Milonga - Syncope, music and technique

C 21: Circular structures

C 22: The dynamics of the Yin-Yang couple

C 23: Little ganchos to spice up your dance

C 24: Giro - dynamics, structure & musicality

C 25: Resistance and push in the walk 1

C 26: Dynamic colgadas for waltz and tango

C 27: Milonga – Cadence - Rhythm and Character

C 28: Harmonization of the 6 presences

C 29: Sacadas - Concept and Execution

C 30: Waltz - Rhythms and sequences

C 31: Women’s technique - If you know how you can enjoy more

C 32: Men’s technique - If you know how you can enjoy more

C 33: Parallel and cross system

C 34 : Alterations - Changes of direction and dynamics

C 35: Sensoriality and sensuality of feet and hands in tango

Fileteado Workshop

Beginner workshop

C 36: Milonguero - Distance in abrazo - Density & weight

C 37: Analysis of dynamics in couple movement

C 38: Waltz - Turns

C 39: Milonga - Sequences between simple and double time

C 40: Sequences in the rytmic tango

C 41: Sense of space to oneself and at the dance floor

C 42: Mark the cross (different options)

C 43: Tango - Traditional figures in the 1950s

C44: Milonga on the beat and against the beat

C 45: Movement - One breath

C 46: Turns - Changes of direction

C 47: Technique - Inertia for a gold partner

Fileteado Workshop

C 48: Waltz - Rebotes

C 49 Turn on beat and on the off beat

C 50: Rhythmic body sense

C 51: Tools for the improvisation

C 52: Embellishments of feet for both roles

C 53: Dynamic changes - How to use them

C 54: Waltz - Sequences on a different rhythmics

C 55: Combinations of boleos and ganchos

C 56: Walking on the closed side of abrazo

C 57: To manage the space and the structure of the dance

C 58 Women’s technique - how to use free leg weight to fill the music

C 59: Men’s technique - Associated and dissociated movements

C 60: Improvisation and creativity

C 61: Crosses and turns - Premium combinations

C 62: How to relax to develop listening

Fileteado Workshop

C 63 : Turn - Accelerations using elastics & centrifugal force

C 64: Posture - Dissociation and abrazo

C 65: Physical and energy connection with partner

C 66 : Useful sequences in social dance

C 67: Milonga to have a good time

C 68: Ochos for both roles - From simplicity to complexity

C 69: Foot sensation - Comfort, creativity

C 70: Milonga lisa and traspié